Set of five color etchings and aquatints for Randonnes (Rambles) with texts by Roger Caillois, printed by Atelier Bellini on Rives paper and published by Yves Riviere in Paris, Executed in 1974.
Sunday, May 29, 2016
1. Chromatic visualization of "Klavierstück V" by Karlheinz Stockhausen (fragment). 30 x 64 cm. (1974).
2. Chromatic visualization of "The Night's Music" by Bela Bartok (fragment). 30 x 64 cm. (1974).
3. Set design for "King of Hunger" by Leonid Andreev, scena VI. Tempera, 35 x 50 cm. (1938).
4. Book cover of "Entr'acte" by René Clair. 17 x 24 cm. Published by Società editrice Poligono, Milan (1945).
5. Book cover of "René Clair" by Glauco Viazzi. 17 x 24 cm. Published by Società editrice Poligono, Milan (1945).
6. Book cover of "L'età ingrata del cinema" (L'âge ingrat du cinéma) by Léon Moussinac. 17 x 24 cm. Published by Società editrice Poligono, Milan (1950).
7. Book cover of "Ragionamenti sulla scenografia" by Baldo Bandini and Glauco Viazzi. 17 x 24 cm. Published by Società editrice Poligono, Milan (1945).
8. Book cover of "Le Isole Aran" (The Aran Islands) by John Millington Synge. 12 x 18,5 cm. Published by Rosa e Ballo, Milan (1944).
9. Photogram, 18 x 24 cm. (1937).
10. Solarized Photogram. 30 x 40 cm. (1964).
11, 12. Frames of Film n. 6 (1941).
Luigi Veronesi (Milan, 1908-1998)
Tuesday, March 15, 2016
Fernando Puig Rosado is a spanish illustrator and satirical cartoonist born on April 1, 1931 in Don Benito, Spain. In 1960 he moved to France, where he began to work for various publishing houses, especially for the youth press. His style is humorous, often surreal and contains elements of black humor and nonsense. The illustrations shown here are scanned from the book "Le Quadrupède" published by Advisor éditions in 1976.
Thursday, February 4, 2016
1. Liathindumuka, the fat man.
2. Manampwebo, the provocative female.
3. Muchawa, the cousin of the circumcised (Victoria Falls 1998).
4. Muchawa, the cousin of the circumcised (Chezya 1998).
5. Zigimutwe, chief advisor and millet beer taster.
6, 7. Zigimutwe, chief advisor and millet beer taster, perform a drunken dance.
8. Chilea, the leader of the play.
9. Kalelua the father and Chilea.
10. Chilea and the Samende musicians perform the Chibunda.
11. Kalelua, the father, with the hat of the wind on is head.
12, 13. Kanolo the fisherman, actor of a comic mime performance with Ngadin, the crocodile.
14, 15. Likulukulege: the man with twisted body, trance master.
16, 17. Procession of the Makishi to the village.
18. Mavundu, the fierce master of initiation.
19. Muvundu in Bongo or floating spirit. He dances an intermediate stage of death.
20. Kaluwe, an ambiguous character, variable, mother and at other times the walker.
21. Dance of Kaluwe.
22, 23. Kanyange Nyenge, Chief of the Makishi (Victoria Falls 1998).
Photos by Marie-Noëlle Robert
Makishi (singular, Likishi) are masked characters associated with the coming of age rituals of the Vaka Chiyama Cha Mukwamayi communities of the north-western part of Zambia. The term refers to the masks and costumes that constitute a character being portrayed. The masks are believed to be a manifestation of the spirits of dead ancestors who return to the world of the living. The Makishi Masquerade is connected to the Mukanda, an initiation school held annually for boys between the ages of eight and seventeen. At the beginning of the dry season, young boys leave their homes and live for one to three months in an isolated school. The Mukanda involves the circumcision of the initiates, tests of courage, and lessons on their future role in society as men and husbands. During the Mukanda, Makishi are supposed to return from the world of the dead to protect and assist the boys in their transition from childhood to adulthood. While at Mukanda, the boys are separated from the outside world - the separation marking their symbolic death as children. Therefore, the boys are called Tundanji - people who do not belong to the world of the living, to be reborn as adults at the completion of the Mukanda. The graduation is marked by the performance of the Makishi Masquerade and the whole community is free to attend (Phiri 2008).
Extract from: "Makishi Masquerade and Activities: The Reformulation of Visual and Performance Genres of the Mukanda School of Zambia" by Victoria Phiri Chitungu.