Monday, March 30, 2015

Tapa - The Bark of the Myth


















1. Irian Jaya, Biak Island, Geelvink bay. Tapa. The feminine spirit symbolizing the eternal reproduction. Beaten bark. 86 x 125 cm. Beginning of the twentieth Century.

2. Irian Jaya, Geelvink Bay. Tapa. Composition of mythical characters and astral symbols". Detail of beaten bark.  95 x 70 cm.

3. Irian Jaya, Humboldt Bay. Tapa. The four faces of the Spirit Creator. Beaten bark.  95 x 70 cm. First half of the twentieth century.

4. Irian Jaya, Humboldt Bay. Tapa. The Spirit Creator that becomes a pair of twins. Beaten bark.  116 x 60 cm.

5. Irian Jaya, Humboldt Bay. Tapa. Mythological representation of a spirit that generates life with his arms. Beaten bark.  80 x 63 cm.

6. Irian Jaya, Lake Sentani. Tapa. Dance loincloth with lizards, spirals and fishes. Beaten bark.  100 x 188 cm.

7. Oro Province, Papua New Guinea. Tapa. Fishes and seaweeds. Beaten bark.  75 x 140 cm.

8. Solomon Islands, Melanesia. Round Tapa with irregular edges. Beaten bark.  Diameter 103 cm.

9. Fiji Islands. Tapa with lozenges. Beaten bark. 100 x 188 cm. Circa 1929-1935.

10. Fiji Islands. Tapa with geometric patterns. Beaten bark. 152 x 176 cm.  

11. Wallis and Fortuna. Tapa dance costume. Beaten bark. 200 x 160 cm. 

12. Wallis and Fortuna. Tapa dance costume. Beaten bark. 180 x 102 cm.

13. Wallis Islands. Tapa. Beaten bark. Width 180 cm.

14. Samoan Islands. Tapa subdivided into sixty square containing floral motifs with four or five petals. Beaten bark. 100 x 170 cm. 

15. Samoan Islands. Tapa motifs that representing taboo spaces (where it is forbidden to go). Beaten bark. 185 x 205 cm. 

16. Samoan Islands. Tapa with lozenges. Beaten bark. 120 x 175 cm.

17. Samoan Islands. Tapa. Beaten bark. 304 x 218 cm.

Tapa is the generic name used in the Pacific for the cloth made from bast (i.e. the inner bark) of saplings of the paper mulberry (Broussenetia papyrifera), a tree taken from Southeast Asia by the ancestors of the Polynesian peoples several thousands of years ago. In some Pacific islands cloth was also made from the inner bark of the breadfruit (Artocarpus incisus), the banyan (Ficus Indica) and coastal hibiscus trees (Hibiscus tiliaceus). The narrow bark strips are soaked and then beaten for many hours until they are approximately 18 inches wide. The strips are then felted together to make cloth of varying thicknesses. This craft is still practiced in parts of Papua New Guinea, in Vanuatu and in Samoa, but the largest decorated pieces are made in Fiji (masi) and in Tonga (ngatu). 
~ Wendy E. Cowling.  

The name "Tapa" is coming from two Tahitian words TA or KA that means material and PA that means pleated or beaten.

Monday, February 9, 2015

Dutch advertising art from the VRI book, 1955.

















1. L. Emmerik
2. Koen van Os 
3. S. C. van Vleuten 
4. Hans Bolleman
5. F. Hazeveld 
6. Corn. de Boer 
7. Eppo Doeve 
8. Frits Stapel 
9. Hans Bolleman
10. Frans Mettes 
11. Eppo Doeve
12. Karel Suyling 
13. K. van Roemburg 
14. Giele Roelofs 
15. Hans Bolleman

Thursday, January 15, 2015

Hex Signs










1 - 9. Hexes of traditional design about the turn of the century (Pennsylvania). To quote one authority: "The hexafoos are supposed to be a continuance of a very ancient tradition according to which these decorative marks were potent to protect the barns, or, more particularly, the cattle, from witches." They are preserved today only for their decorative value, or, in the local vernacular, "chust for nice."

Thursday, November 27, 2014

Thrice borrowing the plantain fan (illustrated by Ma De)


















Thrice borrowing the plantain fan - Illustrated and adapted by Ma De from the Chinese mythological novel, "The Pilgrimage to the West" attributed to Wu Cheng'en (Ming Dynasty). The story tells of the fantastic and perilous adventures of Sun Wukong, better known as the Monkey King and his brothers disciples led by the master Sanzang in search of the only fan that will extinguish the fire at Flaming Mountain.

 1. Princess has not kept his promise and runs away.

2. Sun Wukong and the Princess Iron Fan engage in a fierce battle.

3. Waving her fan, the Princess flies the monkey in the sky.

4. Sun Wukong lands on a mountaintop only the following morning.

5. Here Sun Wukong finds the Bodhisattva Ling Ji who gives him a magic pill that will stop all winds.

6. Princess, frightened, took refuge in the cave.

7. Sun Wukong turns into a fly to enter through a crack in the door.

8. Sun Wukong return to his party with the fan. 

9. Sanzang and his disciples decide to stop to rest.

10. Bull Demon and King Dragon are toasting.

11. The riding-beast of Bull Demon is tied to a pillar of the palace.

12. Bull Demon rides the Dragon.

13. Princess welcomes her husband.

14. The false Bull Demon, receives the confidences of the Princess.

15. Sun Wukong resumes its original shape and disappears in the clouds.

16. Sun Wukong arrived at the mountain, shaking her fan.

17. The people resume life as usual.