1. Zurich Tonhalle. musica viva. Concert poster, 1957
2. Zurich Tonhalle. musica viva. Concert poster, 1957
3. Zurich Tonhalle. musica viva. Concert poster, 1958
4. Zurich Tonhalle. musica viva. Concert poster, 1958
5. Zurich Tonhalle. musica viva. Concert poster, 1958
6. Zurich Tonhalle. musica viva. Concert poster, 1959
7. Zurich Tonhalle. musica viva. Concert poster, 1959
8. Zurich Tonhalle. musica viva. Concert poster, 1961
9. Zurich Tonhalle. musica viva. Concert poster, 1969
10. Zurich Tonhalle. musica viva. Concert poster, 1971
11. Zurich Tonhalle. Concert poster, 1958
12. Zurich Tonhalle. June Festival. Concert poster, 1951
13. Zurich Tonhalle. June Festival. Concert poster, 1951
14. Zurich Tonhalle. June Festival. Concert poster, 1959
His posters for the Tonhalle reveal an artist at work, as well as one who fathoms the world of communication, with a particular audience for a particular function. His posters are comfortable in the worlds of art and music. They do not try to imitate musical notation, but they evoke the very sounds of music by visual equivalents - not a simple task. - Excerpt from the Paul Rand's foreword for the book: "Joseph Müller-Brockmann, Pioneer of Swiss Graphic Design" -